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Korg, Music Workstation Synthesizer, M3, 61 Keys M3-61

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Product Description:

Korg M3

This Keyboard Workstation Will XPand Your Potential!
The M3 XPanded offers a staggering 697 Mbytes of PCM, delivering a huge number of sound variations. Powerful enhancements to the sequencer and interface make the Korg M3 keyboard workstation the go–to instrument for your music making. Now at a lower price – see your dealer for more info on this MIDI keyboard.

The Next Coming Of M – A Third Generation Keyboard Workstation
The M3 heralds the third generation of Korg Workstations. The M1 is the keyboard workstation that started it all, first appearing in 1988 to bring the world a new concept called the "music workstation." It went on to become the best selling keyboard workstation in history, and was further expanded and enhanced through the T and O1/W series. Trinity defined a new level of innovations including touch screen technology and configurable effects, and was the forbearer of the successful TRITON range of products.

Korg Redefines the Keyboard Workstation Category Once Again.
The Korg M3 features a number of innovations distilled from the flagship OASYS including the EDS (Enhanced Definition Synthesis) sound generator derived from the HD–1 engine design, the advanced second–generation KARMA functionality, and the multi–purpose control surface. Adding innovations such as the new concept of "virtualized hardware" that allows an even closer integration with DAW systems, Drum Tracks which provide an instant groove to play along with, and the new "Korg Komponent System" concept that facilitates more flexible system construction, this keyboard workstation/sampler opens a new and exciting page in music making. Plain and simple, the Korg M3 is the keyboard workstation that rightfully deserves to wear the "M" that started it all.

Specification:

Synthesis Technology
EDS (Enhanced Definition Synthesis)

MMT (Multi Modeling Technology) sound generator can be added by installing the optional EXB–RADIAS

Sounds

Programs
1,664 user locations, 1344 preloaded ( EDS: 1,216 +RADIAS: 128) (with EXB–RADIAS option installed)

Combinations 
1,792 user locations, 416 preloaded

Drumkits
144 user locations, 32 preloaded

GM
256 GM2 programs, 9 GM2 drum kits

Tone Generator
640 Mbyte (when converted to 16–bit linear format) (256 Mbyte internal, and 441 Mbyte EX–USB)

1,077 Multisamples including 7 stereo

1,609 Drum Samples including 116 stereo

PCM expansion options
  • EX–USB–PCM01: Brass and Woodwinds 1 approximately 128 Mbyte (when calculated as 16–bit linear), 59 multisamples (including five stereo)
  • EX–USB–PCM02: Brass and Woodwinds 2 approximately 128 Mbyte (when calculated as 16–bit linear), 47 multisamples
  • EX–USB–PCM03: Stereo Grand Piano approximately 128 Mbyte (when calculated as 16–bit linear), 10 multisamples (including five stereo)
  • EX–USB–PCM04: V1 Stereo Piano approximately 57 Mbyte (when calculated as 16–bit linear), 8 multisamples (including four stereo)


    These can be used by loading them into RAM memory. The standard 64 Mbyte RAM memory allows only one title to be loaded. If the EXB–M256 (option) is installed, the three titles can be used simultaneously.

    Maximum Polyphony
    120 voices, 120 oscillators max, single mode
    60 voices, 120 oscillators max, double mode*

    * The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.

    Program Structure (EDS)

    Oscillator
    OSC1 (Single), OSC1+2 (Double)
    Stereo multisamples are supported
    4 velocity zones per oscillator, with switching, crossfades and layers.

    Filters
    Four types of filter routing (single, serial, parallel, 24 dB)
    Two multi–mode filters per voice (low pass, high pass, band pass, band reject)

    Driver
    Per–voice nonlinear driver and low boost

    EQ
    Three bands, with sweepable mid

    Modulation
    For each voice: two envelope generators (Filter & Amp)
    Two LFOs
    Two key tracking generators (Filter & Amp)
    Two AMS mixers
    Pitch EG
    Common LFO
    Two common key tracking generators

    Combination Structure
    Up to sixteen timbres

    For each Timbre: keyboard and velocity split/layer/crossfade
    INT, OFF, EXT and EX2 MIDI status settings
    3–band EQ with sweepable mid
    Pitch/Transpose
    Use OSC1, 2 or Both
    Force Osc Mode (PRG, MONO, LEGATO, POLY)
    Portamento and Bend range settings
    Controller filters
    Modifications to the program settings via the Tone Adjust function

    Drum Kit Structure
    Stereo and mono drum samples
    4–way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer)
    Exclusive keygroups
    Per key 3–band EQ, Drive, Lo Boost, filter and level offsets

    Sampling
    16–bit, linear, 48 kHz mono/stereo sampling
    Resampling available (Open Sampling System)
    64 Mbyte memory standard (expandable up to 320 Mbyte with EXB–M256 option)

    Sampling Time (RAM)
    RAM1 (64 Mbytes standard) allows up to approximately 11 minutes 39 seconds of mono sampling or approximately 5 minutes 49 seconds of stereo sampling. 512 bytes are used by the system.

    RAM2 (256 Mbytes when the EXB–M256 is installed) allows up to approximately 46 minutes 36 seconds of mono sampling or approximately 23 minutes 18 seconds of stereo sampling.

    RAM1+RAM2 (Total 320 Mbytes) allows up to approximately 58 minutes 15 seconds of mono sampling or approximately 29 minutes 7 seconds of stereo sampling. (Continuous sampling across RAM1 and RAM2 is not possible.)

    Sampling Time (MEDIA)
    Maximum sampling time to a USB storage device is a maximum of approximately 80 minutes for one sample file, for either mono or stereo. This occupies approximately 440 Mbytes for mono, or 879 Mbytes for stereo.
    1,000 Multisamples, 4,000 Samples, 128 indexes per sample
    Supports Korg format, AIFF, WAV, AKAI S1000/S3000 (with advanced Program conversion), SoundFont 2.0 reading
    Sample directly from audio CDs (CD–DA) Time Stretch, Time Slice, Crossfade Loop, and other editing features

    Effects
    5 Insert Effects (stereo in/out), 2 Master Effects (stereo in/out), 1 Total Effect (stereo in/out) are available simultaneously
    2 effect control busses, 2 effect common LFOs
    170 types (can be used for Insert/Master/Total.) Note: double–size effects cannot be used as a Total effect.
    Effects Presets: Up to 32 per Effect, 700 effect presets
    AUX bus: Two internal buses for sampling and routing audio to the EXB–RADIAS
    3–band Track EQ (High, low, and sweepable mid band) Per Program in Program Mode, per Timbre in Combination mode (16 total), and per Track in Sequencer mode (16 total)

    X–Y control
    X–Y MODE The TouchView display can be used as an X–Y controller. Hold function provided.

    X–Y Motion function
    X–Y Control finger movements can be recorded in realtime, and memorized for each Program, Combination, or Song.

    Program mode
    Oscillator volume, synth parameters, and effect parameters can be controlled.

    Combination, Sequencer modes
    Timbre/track volume, synth parameters, and effect parameters can be controlled.

    Sequencer
    16–track MIDI sequencer with 480 ppq resolution
    128 Songs, 20 Cue Lists, 210,000 notes (max)
    Tempo: 40.00–300.00 BPM (1/100 resolution)
    16 preset/16 user Template Songs
    522 preset patterns, 100 user patterns (per Song)
    Cue List function: 20 cue lists, Songs can be arranged consecutively or repeatedly in up to 99 steps, A cue list can be converted back into a song
    Standard MIDI File (SMF) format 0 and 1 available
    In–Track Sampling function
    Auto Song Setup function (One Touch Record) for easily going from a Program or Combination into “record–ready” status

    RPPR (Realtime Pattern Play/Recording)
    A set of 100 patterns are available per Song

    Drum Track 
    671 preset patterns/1,000 user patterns
    Patterns created in Sequencer mode can be converted to drum track user patterns
    Trigger Mode (Immediate, Wait for Keyboard), Sync (On, Off) and Zone (Key and Velocity) settings can be specified
    Program selection, 3–band EQ and effect bussing available

    KARMA
    One KARMA module available in Program Mode, four KARMA modules available in Combination and Sequencer Modes, plus Master Control module
    2,093 preset GEs (Generated Effect)

    1024 user GE locations
    Controllers: ON/OFF, LATCH, MODULE CONTROL, KARMA SLIDERS 1–8, KARMA SWITCHES 1–8, KARMA SCENES 1/5–4/8 (8 scenes)
    KARMA Wave Sequence, Freeze Randomize, Time Signature Control, Auto RTC (Realtime Control) Setup

    Controllers
    Control Assign

    (T1–8, T9–16, INPUTS), REALTIME CONTROL, EXTERNAL, TONE ADJUST, KARMA

    Control Surface (8 sliders, 8 switches)

    8 Switches:
    MIXER… PLAY/MUTE (SOLO)
    REALTIME CONTROL= IFX1–5, MFX1, MFX2, TFX on/ off
    EXTERNAL= External MIDI control*
    TONE ADJUST= Control the Tone Adjust functions
    KARMA= KARMA control

    8 Sliders:
    MIXER= Volume
    REALTIME CONTROL= Realtime modulation
    EXTERNAL= External MIDI control*
    TONE ADJUST=Control the Tone Adjust functions
    KARMA= KARMA control

    * In External mode, the eight sliders, eight switches, and eight pads can be used as MIDI controllers, allowing you to control software synthesizers or DAW software via CC settings. 128 setups can be stored (102 are preloaded).

    8 velocity–sensitive drum pads and chord triggers:
    [KARMA ON/OFF]
    [KARMA LATCH]
    [CHORD ASSIGN]
    [DRUM TRACK ON/OFF]
    [PAD MODE] – selects velocity–sensitive or fixed–velocity operation
    [KARMA MODULE CONTROL]
    [RESET CONTROL]
    X–Y Control (Display), Hold, Motion

    Media
    Load, Save, Utility, Make Audio CD, Play Audio CD Data Filer functionality (Save and Load MIDI System Exclusive Data)
    CD–ROM/R/RW (UDF Format read/write), Record & Play audio CDs (CD–DA), ISO9660 Level 1
    WAVE file editing functionality
    CD–ROM/R/RW can be used when a commercially–available USB drive is connected.

    Audio Outputs
    L/MONO, R – 1/4" TS (Mono), unbalanced
    INDIVIDUAL–1, 2, 3, 4 – 1/4" TS (Mono), unbalanced
    Output Impedance: 1.1k Ohm stereo; 550 Ohms mono (L/Mono only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu, Load Impedance: 10 k Ohms or greater, Signal to noise ratio: 90 dBu (typical), Dynamic range: 91 dBu (typical)
    S/P DIF (optical 24–bit, 48 kHz), S/P DIF IEC60958 EIAJCP–1201, provides igital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R
    (Optional) EXB–FW – 6 channels, 24–bit, 48 kHz Sample rate, provides digital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R and AUDIO OUTPUT (INDIVIDUAL) 1–4
    Headphones – 1/4" TRS (Stereo), Output Impedance: 33 Ohms, Maximum Level: 32+ 32 mW @33 Ohms

    Audio Input
    1, 2 – 1/4" TS (Mono), unbalanced
    (level switch (MIC/LINE), level knob) – Input Impedance: 10 k Ohms, Headroom:12 dB, Input level range
    LINE: –29 dBu–+4 dBu or greater (typical),
    Input level range MIC: –54 dBu –17 dBu or greater (typical), Source Impedance: 600 Ohms
    S/P DIF (optical 24–bit, 48 kHz) IEC60958 EIAJCP–1201
    (Optional) EXB–FW – 2 channels, 24–bit, 48 kHz Sample rate
    MIDI
    IN, OUT, THRU

    Computer
    2 USB type A hi–speed connectors, supporting 480 Mbps (for storage devices)
    USB type B connector (for MIDI interface, USB 2.0 supported)
    2 FireWire ports (when EXB–FW (separately sold option) installed)

    Keyboard
    To KYBD (for connection to keyboard assembly unit)

    System Requirements
    Computer with the KORG USB–MIDI Driver

    Windows
    Microsoft Windows XP Home Edition/Professional Service Pack 2 or later (MIDI Driver for the 64–bit editions is a Beta version), all editions of Microsoft Windows Vista (MIDI Driver for the 64–bit editions is a Beta version), computer supports Windows XP/Vista with USB port (Intel USB Host Controller recommended).

    Macintosh
    Mac OS X 10.3.9 or later, Apple Macintosh with USB ports supports Mac OS X 10.3.9 (PowerPC/Intel–based supported).

    Please use the latest Korg USB/MIDI driver.

    M3 Editor/Plug–In Editor

    Windows
    Windows XP Home Edition / Professional Service Pack 2 or later, Intel Pentium III/1 GHz or faster, 512 Mbyte or larger memory (1 Gbyte or larger recommended.) After a Vista Compliant version of the application is released, we will perform an operational check.

    Macintosh
    Mac OS X 10.4 or later, G4/800 MHz or faster (Intel–based Mac supported, G5 and/or Core Duo recommended), 512 Mbyte or larger memory (1 Gbyte or larger recommended)

    Computer with the EXB–FW

    Windows
    Microsoft Windows XP Home Edition / Professional Service Pack 2, computer supports Windows XP with Firewire port.

    Macintosh
    Mac OS X 10.4 or later, Apple Macintosh with Firewire ports supports Mac OS X 10.4 (PowerPC/Intel–based supported).

    Options
    EXB–FW

    The EXB–FW FireWire Expansion Board option provides 2 channels of digital audio Input and 6 channels of digital audio Output, in addition to FireWire MIDI for the Korg M3 Music/Workstation.

    M3 Operating System Version 1.10 or higher is required to use the EXB–FW.

    Mac Users: Mac users will need to update to Leopard or OS 10.4.11 to use the EXB–FW.

    EXB–M256
    The EXB–M256 is a proprietary RAM expansion for use with the M3 Music/Workstation´s sampling and future PCM expansion capabilities. It adds 256 Mbytes of memory for a total memory spec of 320 Mbytes.

    EXB–RADIAS
    The optional EXB–RADIAS is a 24–voice, 4–part multi–timbral (1 timbre per Program, up to 4 Programs can be used in Combi and Sequencer modes) RADIAS Synthesizer Board for the Korg M3 Music/Workstation. This powerful MMT–based (Multiple Modeling Technology) synth engine features dual oscillators which combine to offer analog–modeled waves, PCM waves, noise, ring mod and more. Waveform modulation, Variable Phase Modulation (VPM), Unison voice thickening, PWM and cross–mod expand the sonic palette. The EXB–RADIAS offers the same vocoder as the RADIAS, offering 16 bands with individual control over level and panning. Internal or external audio can be run through the EXB–RADIAS to be gated and filtered using the internal synthesis and effects.

    EX–USB–PCM series
    PCM Expansion USB Memory devices

    XVP–10
    EXP/VOL Pedal

    EXP–2
    Foot Controller

    DS–1H
    Damper Pedal (supports half–damping)

    PS–1
    Pedal Switch

    General
    Keyboard

    61–key, 73–key semi–weighted synth action (Korg´s new keyboard design)

    88–key weighted action (RH3: Real Weighted Hammer Action 3 keyboard with 4–zone graded action response)

    Controllers
    Joystick, Ribbon Controller, [SW1], [SW2]

    Interface
    To Module (for connection to M3–M tone generator module)

    To Module (second) (available on 73–key and 88–key)

    Display
    5.7 inch color TouchView GUI, 320 x 240 dot, X–Y control function

    Control Inputs
    Damper Pedal (half damper pedaling supported), Assignable Switch, Assignable Pedal

    Common specifications
    Frequency response: 20 Hz–20 kHz, +/–1.0 dB, 10 k Ohms load

    THD+N: 20 Hz–20 kHz, 0.08 % 10 k Ohms load (typical)

    Included Accessories
    Three–Pronged IECC13 Power Cable
    (Model D8B5518003B)
    Owner´s Manual (M3 Operation Guide)
    CD–ROM (M3 Parameter Guide (PDF)
    Voice Name List (PDF)
    KORG MIDI driver
    M3 Editor stand alone and plug–in versions
    Bracket (Module only)

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